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(comically enough, the only great book on filmmaking today from the hollywood lemmings is a how to get rich book from a "studio head" and free money; as in, only one that ever came from a studio head) so one day i was stuck between the shelves of my school, and i picked up on video script magazine, which is about the best magazine a film student can get. and while perusing it's pages, i found this great piece from peter bercaw, "how to be original" (peter bercaw -- hollywood clown) and it scored a resounding five stars in my book, not only because of its perfect wisdom and wit, but because it was not a book that started a movement or fad or anything, it was merely about one person coming out with a book that made sense to one filmmaker more than the next. so i read it, and i was extremely impressed. i made a couple of minor (and i mean minor) changes to it (ie a few edits here and there and a paragraph or two, but with such passion and love it just seemed easier to do it myself than try to be a scribe of the future and just rip off his text) and here it is, unfettered and unedited.
If you would like movie money, and do it yourself, then look to the editors, who control so much of what we see. What they are looking for is something with an originality of language, a narrative that is consumable and artistically pleasurable, a playfulness or whimsy or energy, and usually a sense of soul; a sense of life being presented. This is where the editing, music, lighting, cinematography, and artistry of someone like the great W.C. Fields comes in. In the twenty-five years I've been doing this, I've worked on over 150 editing jobs, and I've more often than not chosen people with a passion for what they do, and an eagerness and a willingness to work hard. d2c66b5586